© 2018 www.bonniekemske.com.

PROFILE

Born in Okinawa into a US Air Force family and raised in the United States, Bonnie Kemske is an American living and working in Cambridge, England. She comes to her artwork and her academic research from a diverse arts background. As a young woman she trained in modern dance and ballet in New York City. This training and the sense of body awareness gained from it have been a consistent aesthetic influence in her life.

CHANOYU    Her interest in the expression of the spiritual in secular art led to an undergraduate degree in religion from Goucher College in Baltimore, USA. Leaving university she travelled to Kyoto, Japan, to study the Zen Buddhist art form of chanoyu, Japanese tea ceremony. Chanoyu is a highly developed and complex art form that centers on the preparation and drinking of a thick green tea. The tea is served in a ceramic bowl, which the guest cradles in both hands as he or she drinks. The tactile qualities of the bowl are integral to the appreciation of it, and the handling of the bowl creates an intimacy between host, bowl, and guest, inducing a self-reflective calm. This tactile moment, the moment of drinking tea from what is often an irregular and sometimes rough-surfaced bowl, has been the impetus within Bonnie’s professional studio career.

 

LIVING IN BRITAIN   Bonnie moved from Kyoto to London to marry Tony Holland, a young psychiatrist she had met in the US. After the birth of their two sons, Jake and Danny, she returned to ceramics, which she had begun to learn while at university, and established a studio in Cambridge, England. After ten years of studio work, she decided to further investigate her interest in ceramic textures and was accepted to do a PhD by practice at the Royal College of Art in London, supervised by Emmanuel Cooper. (Photo: The Three Graces)

WORKING AS AN ARTIST-RESEARCHER    Shortly after beginning her research Bonnie realized that her interest did not lie in texture as much as in the experience of touch itself. That led to the creation of her 'Cast Hugs', sculptural forms made by the body and for the body. Commenting on holding one of her Hugs, a gallery visitor remarked: 'Snuggling up to an object that 'fits' with your body - quite intimate yet strange, as you are not the only person who 'fits' with that object...it's like sharing the same intimate moment, one that is experienced by many others but at different times in different places - people with different associations, experiences and backgrounds.'

WRITING    Bonnie published her first article in 1998 and has continued to write since then. In August 2017 Bloomsbury UK published her book, entitled The Teabowl: East and West,  and in October 2017 it was published in the USA.  Told from her personal perspective as a ceramicist and Tea student, it presents the story of the iconic Japanese teabowl in its historical context and use in chanoyu, Japanese tea ceremony, and in its appropriation into contemporary ceramics. She has also written numerous academic papers for journals and delivered presentations for conferences, including those in art, ceramics, art history, the science of touch, and the social sciences. She was Editor of Ceramic Review from 2010-2013. She has published feature articles and reviews for Crafts, Ceramic Review, Ceramics: Art & Perception, The Art Newspaper, and other publications. Her 2008 PhD written thesis, 'Evoking Intimacy: Touch and the Thoughtful Body in Sculptural Ceramics', is accessible through EThOS -- http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489168

OTHER VENTURES    Bonnie continues to be an advocate for touch in our lives through collaboration and exploration. For instance, she is featured in one of Josh Morgan's podcasts, 'The Plural of You'. She also was a major contributor to a BBC Radio 4's episode, 'Mending Cracks with Gold' (kintsugi), on Something UnderstoodShe currently is a PhD Supervisor for Mandy Parslow, who is exploring 'a sense of place'. She has served as an academic examiner, and as a nominator and selector for many competitions and awards. She has been a guest lecturer and has conducted many workshops on touch, the human figure, and writing, most recently in Oslo for SEANSE -- http://seanse.no/2017/03/kunsten-a-berore/

Click here to see references to publicity about Bonnie Kemske's work.